Posts Tagged 2014
Call for Papers:
The American Civil War and Reconstruction
Popular Culture Association/American Culture Association
National Conference 2014
April 16-19, 2014
Marriott Chicago Downtown Magnificent Mile
The Civil War and Reconstruction Area of the Popular Culture Association/American Culture Association is calling for papers on the American Civil War and Reconstruction for its national meeting, April 16-19, 2014 (Wednesday through Saturday) at theMarriott Chicago Downtown Magnificent Mile. Papers are welcome from a range of disciplines, and may explore any topic or “reading” of the War. Past presentations have included such diverse subject areas as literature, photography, art, newspapers and journalistic history, counterfactual history, battle reenactments, music, politics, battle narratives, guerilla warfare, film, historiographical issues, women’s narratives, war games, secession politics, African-Americans at war, modern pop culture, memory and memorializing, battlefield preservation, and material culture. Suggested special topics for this year could include slavery and politics, Northern intellectuals at war, Lincoln and the Spielberg film, military politics, The 150th Commemoration and the Politics of Commemoration, and the cultural legacy of the War.
Acceptance of your paper obligates you to appear and make an oral presentation of your paper. Sessions run for ninety minutes, and each presenter receives fifteen minutes, depending on the number of papers in each panel. Please plan to stay within this time limit. Graduate students are welcome to submit proposals. Whole panel proposals are also welcome
Please send an abstract of 100-250 words to:
Dr. Randal Allred,
Department of English,
Brigham Young University Hawaii,
55-220 Kulanui St.,
Laie, HI 96762
Please include in your proposal your address, school affiliation, e-mail, and telephone number.
Also, please submit your proposal online at http://pcaaca.org/national-conference-2/proposing-a-presentation-at-the-conference/
Deadline for submissions is November 1, 2013. For more information, go to http://pcaaca.org/national-conference-2/
Call for Papers
High Water Mark of War: The Battle of Gettysburg in Fiction and Film
45th Annual Convention, Northeast Modern Language Association (NEMLA)
April 3-6, 2014
Host: Susquehanna University
Often regarded by scholars as one of the major turning points in the United States Civil War, the Battle of Gettysburg has attained an iconic status in American literature and culture. Twentieth Century southern writer William Faulkner claimed in his novel Intruder in the Dust (1948) that “For every Southern boy fourteen years old, not once but whenever he wants it, there is the instant when it’s still not yet two o’clock on that July afternoon in 1863.” Living with the legacy of defeat, white southern males imagined (in Faulkner’s view) a time when General Pickett had yet to lead his charge and the South still imagined it could win the war. Northern writers such as Michael Shaara also turned to Gettysburg for a wide variety of reasons. In Shaara’s case, the struggle at Gettysburg provided moral clarity that was sorely lacking in the Vietnam War era.
This panel will address the question of what actually happened at Gettysburg and how those events were reshaped over time to create distinct ‘legacies’ of that battle and the war of which it was a part. Questions to consider include but aren’t limited to: How is race addressed (or not) in portrayals of the battle? What role do civilians play in representations of the battle? Is battlefield heroism portrayed in a straightforward or ironic light? Does a particular narrative of the battle seem to say more about its own times than the Civil War era?
Film scholars are encouraged to submit proposals for this panel. Papers that examine the civilian experience of the battle are also sought.
Please send your abstract of approximately 250-300 words along with a one page CV to email@example.com.
The deadline for submissions is September 30, 2013
Interested participants may submit abstracts to more than one NeMLA session; however, panelists can only present one paper (panel or seminar). Convention participants may present a paper at a panel and also present at a creative session or participate in a roundtable. For a full list of NEMLA 2014 conference sessions visit: